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Bio | Lyrics | Photos /Poster | Reviews |

Bio:The Short Version

Christopher Mark Jones sees the world through song. He might adopt the point of view of a Salvadoran migrant ("Caravan"), a single mother ("I Work Hard For A Living"), an unemployed Montrealer ("Dans La Ville"), or an auto worker ("Lordstown"). What was a pure tenor is now “slightly rough around the edges” (Pittsburgh Post-Gazette), but still grabs the listener along with his “fascinating lyrics” (Melody Maker) and the “wide-ranging textures and exquisite instrumentation” (Saturday Light Brigade) of his recordings. Listeners hear echoes of “Greg Brown's pacing and a Lyle Lovett attitude” (Ben Shannon), as well as of John Prine, Bruce Coburn and Darrell Scott.

In 2017 he released Incantations--his fifth album since 1978’s No More Range To Roam--and the book Smoke On The Meadow: Selected Lyrics 1977-2017. Between careers as a basketball player and French professor, Jones busked in Paris, toured the UK, Denmark, and Holland, and played New England clubs. He now tours solo from Pittsburgh, PA, and plays regionally in formats varying from solo to full band.

Bio: The Long Version

The songwriter saga pretty much started in Paris about 1976, when Christopher found that all he wanted to do was sing and play guitar. He had spent a half-dozen years playing professional basketball (in Portugal) and studying languages (Portuguese, French, Spanish) and was enrolled at the National Institute for Oriental Languages and Civilizations in Paris at the time where he was studying Chinese . He coasted to a degree in that program , while playing in restaurants and the Metro, then and headed out for London to do music full-time, joining a friend of his in a squat in Central London. The folk revival was going full-speed in the UK, and there were lots of clubs where you could go do three songs for free and have some chance of being hired back for a few quid. He also got a regular gig at Bunjies, a tiny little club in the West End. He met a Welshman named Mick Linnard, a guitarist who enjoyed playing his tunes, and they became traveling partners. He played a showcase spot at the Cambridge Folk Festival, where a singer named Rosie Hardman heard him and recommended him to Bill Leader, a legendary producer (Bert Jansch, John Renbourne and Nic Jones among others), who had a deal with Transatlantic Records to issue records under his imprint.

The album they did together (see Recordings) with contributions from Mick, Christopher's brother Jeff, Gerald Moore, who was a popular club guitarist in London and Pick Withers on drums (Dire Straits) had some success. The album was licensed in five countries in Europe and getting some decent reviews, but it came out at the same time that punk hit in London, and the reception for acoustic songwriters was at an all-time low in the UK.

After moving back to the US in 1979, he put together a band, mostly called the Regulars, which worked consistently for several years with excellent musicians (Andre Locke of Mandrake, Reeves Gabrels who ended up with David Bowie's Tin Machine) and paid starvation wages .

When he and wife Linda and had two sons, Tanner and Max, he turned his language background into a Ph.D in French literature and became a very part-time musician until they left home. He taught at Bentley College in Waltham, then came to Carnegie Mellon in Pittsburgh, where he stayed for 25 years, doing research in the French-speaking cultures of the world (especially popular music) and developing technology-enhanced language courses.

In roughly 2002, he started playing regularly with a couple of NYC expats named Jonah Winters (clarinet) and Sally Denmead, (cigar-box uke) who had a fetish for Tin Pan Alley tunes from the 30s and 40s. The tunes had lots of changes, he got some guitar chops back together and eventually moved on to playing more blues and jazz-based material with Jack Bowen on piano and Jim Spears on bass in a group they called the Uptown Combo. That allowed him to spread out on guitar and learn a whole catalogue of new tunes--never a bad thing. When he had assembled the digital toybox needed to do an album for the Uptown Combo, he got the acoustic guitar out and realized that he'd like to do some recording of original material as well. The resulting album-- Heartland Variations--signified a singer-songwriter renaissance. He then re-mastered the Transatlantic  (UK) album No More Range to Roam, which is now available on CD.  Three additional recordings of new songs have since followed, including Suburban 2-Step, released in April of 2012, 2014’s Atlantica and 2017’s Incantations. While he travels widely as a solo performer, he plays regionally with other musicians, who have included Jim Spears, Mark Weakland, David Hart, Vince Camut, Eric Kurtzrock and Mark Perna in Western Pennsylvania, and Dave Gillespie and Greg Winters in Michigan.

Download Word version of Bio here.

Songs & Lyrics


Question of Style (from Heartland Variations - 2010) Christopher Jones -vocals, acoustic & electric guitars & bass, Mark Weakland - drums, Bev Futrell - mandolin, Jeffrey Jones - harmony vocals, Karen Jones - harmony vocals.

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Hard to Imagine (from No More Range To Roam - 1978) Christopher - vocals, piano and cello, Gerald Moore - guitar, Pick Withers- drums, Mick Linnard - bass, Jeffrey Jones - harmony vocals and viola.

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Rock County Line (from Suburban 2-Step) Christopher - vocal and guitar, Bev Futrell - harmonica

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The Numbers (from Suburban 2-Step) Christopher - vocal and guitar, Bev Futrell - mandolin, David Hart - tres, Dave Gillespie - guitar and vocals, Jim Spears - bass, Mark Weakland - drums, Karen Jones - harmony vocals

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The Trapper's Wife (from Atlantica) Christopher - vocal and guitar, David Hart - mandolin, Vince Camut - pedal steel, Jim Spears - bass, Mark Weakland - drums, Autumn Ayers - harmony vocals

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Lordstown (from Incantations) Christopher - vocals and guitar, Vince Camut - electric guitar, Mark Perna - bass, Mark Weakland - drums, Skip Sanders - piano and organ, Rachel Whitcomb - vocal harmony

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Incantations (from Incantations) Christopher - vocal and guitar, Vince Camut - pedal steel and electric guitars, Mark Perna - bass, Mark Weakland - drums, Skip Sanders - organ

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Spoken For (from Incantations) Christopher - vocal and guitar, Skip Sanders - piano, Mark Perna - bass, Rachel Whitcomb - harmony vocals

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Photos /Poster

Click to enlarge in new window. Right-click (PC) or Control-click (Mac) to download.
Performance - REH
Performance - MK
Performance - DG
Christopher in performance, 2013
CMJ portrait
Club Cafe portrait
Portrait - LBJ
Poster - MK
2013 Portrait
2017 Poster



“With Incantations, Christopher Mark Jones has created an album of songs with captivating lyrics, wide-ranging textures and exquisite instrumentation. The tracks incorporate talented accompanists that, like the mix itself, add layers and depth to the recording while still allowing Christopher's voice, lyrics and intricate guitar-playing to shine through. It's an album that will hold up to repeated plays with listeners likely hearing additional nuances and subtleties with every spin.” - Larry Berger, Saturday Light Brigade Radio Productions

Incantations is filled with the things that make Christopher Mark Jones a Pittsburgh pleasure – comfortable song settings in tight arrangements, brought to life by The Roots Ensemble and several other contributors, all supporting Jones’ voice as husky and warm as carded wool. Wrapped in those upbeat and familiar sounds are Chris’ musings on commitment, sometimes disappointment, but never regret. Throw in a cooking song rich in sensuality and memory, and a chugging train song, and you have a CD that invites repeated listens and foreshadows great live shows.” - Brian Junker, SongSpace (UU) concert series organizer.

[Incantations] "Christopher Mark Jones is a bonafide storyteller in the mold of the classic folk troubadour. With Greg Brown's pacing and a Lyle Lovett attitude Jones revels in catchy choruses and solid song structure. Did I mention guitar hooks that finish sentences? Case in point is "Lordstown," which deftly follows a rustbelt family through several generations ending in job losses, college debt, and economic insecurity. With "Incantations" Jones lays out a west coast funk inspired groove to underscore a pointed, dark, and self deprecating autobiography of his genealogical and spiritual coming of age as a white male folksinger. With lines such as, "My mother kept the christmas cards and the titles to our slaves, wrote pentecostal histories in which we all were saved," Jones both indicts his privilege and bears it like a curse which has him singing "these incantations, revelations to no one," where his "only hope of happiness is to step right off this earth." There is a hopeful romantic streak on this album as well, highlighted by the tender "Field of Dreams." You'd need to have a heart as cold as a January night on Lake Erie to not feel the warmth of these two lovers. Its approaching mastery when a writer can manage in three simple verses to invoke the scope and the starkness of a singular love opening to a world and a life of its own." - Ben Shannon, singer-songwriter (

[Incantations] “Christopher Mark Jones and I met as young American singer-songwriters doing gigs in folk clubs in the UK. He lived in Europe for a decade and his music has evolved a certain amount of worldly sophistication, but he still retains his midwestern plain folks’ values, and this new recording nicely encompasses both musical sides. From the simple country storytelling of “Field of Dreams” to the brooding, bluesy “Fire So Soon,” Christopher uses the palette of American roots music to weave his tales of families, lovers, workers, travel and hope.” - Robin Greenstein, singer-songwriter. (

[Suburban 2-Step]"[Christopher] who sings in a rich voice that's just slightly rough around the edges, launched his own personal folk-blues revival with 2010's "Heartland Variations" and now a homespun-sounding new album he's called "Suburban 2-Step." The carefully crafted lyrics delve into small-town life ("Home at Last"), mature love ("High"), loneliness ("Mrs. Pennington"), travel ("Montreal Again," "Drivin' "), first-world problems ("Suburban 2-Step") and the larger society ("Numbers"). - Scott Mervis, Pittsburgh Post-Gazette. read full article...

[Suburban 2-Step]"...the sound is layered and warm, and the best songs are perfectly suitable for radio play on stations aimed at grown-ups. Perhaps my favourites are “Home At Last”, a paean to homeownership, which seems almost trite when expressed that simply, but in reality articulates a heartfelt desire to belong somewhere – and for somewhere to belong - and “The Numbers”, a folk-pop future classic that has rooted itself in the part of my brain that prompts unsolicited outbreaks of song at completely inopportune moments." Rob F. for Leicester Bangs. read full review...

[Suburban 2-Step] "In the end... the stories are what makes this album memorable. Particularly the overarching one of a midwestern kid who has seen the world as a musician and athlete, but is happy in the knowledge that, “what we have right now is better than old glory.” Max Jones

[Heartland Variations] "Your tunes are great. I listened to them over the weekend and took some notes. Very professional sound, great playing, love the vocals, love the simplicity and the song structures, love the chorus of Cincinnati Nights... I could go on and on." Mark Weakland, drummer, multiinstrumentalist, songwriter.

[Heartland Variations]"I've not stopped playing it since I received it. I love all the songs. You've managed to pick up some really great licks over the years - . Lyrics and harmonies are about as good as they get. And it's a clean production - everything crystal clear." Michael Linnard, songwriter, longtime backup musician in the UK (CMJ, David Hughes, John Shirbon) and publisher of Little Red Tree poetry series.

[No More Range To Roam] Review at by Wiebren Rijkeboer. November 10, 2010

Actually this record would be at home under the heading Wow & Flutter [vinyl], but the fact is that No More Range to Roam was recently released on CD by the author himself. It was originally released as the debut album of American singer-songwriter Christopher Jones in 1977, on the famous British folk (rock) label Transatlantic Records. Jones was by invited to London to record an album by producer Bill Leader (Bert Jansch, John Renbourne). Task completed. With a nice relaxed band - electric guitar, bass and Dire Straits drummer Pick Withers - Jones guides the listener through a series of elegant, sometimes a little too neat songs. But there are real passionate songs with nice guitar solos (Morning Glory, Steelhead Blues), which put Jones midway between Jackson Browne and the Pousette-Dart Band. Nice that this kind of obscure record can be made available again, in this case by the author himself, in 2010, 33 years after his debut, as he releases his second album [Heartland Variations]. No More Range to Roam is available from CD Baby.


Your best work so far... I've actually listed to the CD about 10 times... A great bunch of songs...

I just love No More Range to Roam, It's a throw back to a time when songs were actually written about something real. What a powerful message. I'm appreciative that you are a true troubadour.

Can't wait to have you back on the show.

-Anthony Frazier, host of the Acoustic Hour radio show on WCCS 1160 AM

Melody Maker, London, U.K. 1979



Club Cafe, Pittsburgh October 9th, 2010.

"The Club Cafe set was a wonderful event for us in many ways.
Your songs are beautiful, full of thought and heart and craft, you sing them perfectly,
your accompanists were fantastic and clearly love you, the music, the relationships
that are involved." Elizabeth Seamans, filmmaker and friend

House Concerts:

2011 Some prose from Annie Trimble, on the occasion of a 2011 house concert at her place in Mt. Lebanon:

Christopher Jones: Original songs, impeccable guitar styles, great vocals, moving lyrics

Curt and I mett [Pittsburgh] singer-songwriter Chris Jones at the Calliope song-swap a year or so ago, and we were very impressed by his well-crafted songs and impeccable musicianship. We are delighted to be able to present him to the great folk music-loving friends who attend our house concerts. Chris is a veteran songwriter and folk musician, who has recently returned to his love of creating and performing his own music after a hiatus to raise two sons. His musical influences began with the 60s roots folk revival, then Dylan, James Taylor and Paul Simon. He was further inspired by UK influences during his time on that folk circuit in the 70s, including John Martyn, Ralph McTell, Nic Jones. He sees himself in the American troubadour tradition now, a diverse group of singer songwriters that include people like Greg Brown, Guy Clark and David Wilcox. Chris writes his stories in the form he's most familiar with: the acoustic folk song, sung with a voice that's well-travelled. His guitar techniques come from many different genres, but he plays mostly traditional flat- and finger-picking styles.

2013 (NY) - "Christopher Mark Jones is a real pro and quite an interesting down-to-earth guy. Our friends loved the concert, and his way of opening up to the audience created an intimate and meaningful atmosphere for a really great evening. It was easy to arrange everything and he was also a fun and considerate overnight guest. We had a really nice talk and connection, and the music can't be beat!"

2013 (Maryland) - "Christopher Mark Jones has an incredible talent for telling stories through his lyrics. He brings out familiar sensitivities we can relate to. His voice catches your attention and has quite a convincing warm quality. He is very flexible and easy to work out arrangements with. He's personable to the guests as well."

2105 (North Carolina) "Wonderful show with Christopher. Great stories, solid songwriting and kept everyoneinterested throughout the show. He has people asking for his return to my series next year."

2016 (Maryland) "This was Christopher Mark Jones second appearance at my concert series. It was a delight to have him return and listen to some new material and "older" favorites. His rough edged, yet soft spoken vocals are captivating. His lyrics tell wonderful stories that keep the audience engaged. He is easy to communicate with and very easy going."